Decades of years have passed since "the downfall theory of Japanese painting" was developed. Is there a future in Japanese style paintings with mineral pigment and hide glue? Against that argument, she obediently draws, with respect for the paintings from Edo to Meiji and with reverence for women.
She, as a contemporary artist, is asking herself what she can do for this problem, and keeps challenging everyday to depict people and creatures with enthusiasm.
Completed Tokyo University of the Arts graduate school of Japanese painting major
Group Exhibition / Necollection / Shukado Gallery
Affordable Art Fair / Gallery Seek / Singapore
Entry to Tokyo University of the Arts graduate school of Japanese painting major
Won the Best sales award of the art fair +plus-ultra/ Omotesando, Tokyo
Art Prize / SOMPO JAPAN NIPPONKOA FACE2015 / Shinjuku, Tokyo
Scholarship for Mitsubishi Corporation Art Gate Program